U2--Breathe Now

We are people borne of sound
The songs are in our eyes
Gonna wear them like a crown
Walk out, into the sunburst street
Sing your heart out, sing my heart out
I've found grace inside a sound
I found grace, it's all that I found
And I can breathe
Breathe Now

Blues and Jazz Legends on Beale Street

In 1909, W. C. Handy wrote "Mr. Crump" as a campaign song for political machine leader E. H. Crump. The song was later renamed "The Memphis Blues". Handy also wrote a song called "Beale Street Blues" in 1916 which influenced the change of the street's name from Beale Avenue to Beale Street. From the 1920s to the 1940s, Louis Armstrong, Muddy Waters, Albert King, Memphis Minnie, B. B. King, Rufus Thomas, Rosco Gordon and other blues and jazz legends played on Beale Street and helped develop the style known as Memphis Blues. As a young man, B.B. King was billed as "the Beale Street Blues Boy".

Beale Street

In the early 1900s, Beale Street was filled with clubs, restaurants and shops, many of them owned by African-Americans. In 1889, NAACP co-founder Ida B. Wells was a co-owner and editor of an anti-segregationist paper called Free Speech based on Beale. Beale Street Baptist Church, Tennessee's oldest surviving African American Church edifice built in 1864, was also important in the early civil rights movement in Memphis.

Son House

It is difficult to describe the transformation that took place as this smiling, friendly man hunched over his guitar and launched himself, bodily it seemed, into his music. The blues possessed him like a 'lowdown shaking chill' and the spellbound audience saw the very incarnation of the blues as, head thrown back, he hollered and groaned the disturbing lyrics and flailed the guitar, snapping the strings back against the fingerboard to accentuate the agonized rhythm. Son's music is the centre of the blues experience and when he performs it is a corporeal thing, audience and singer become as one.--Hall

Bob Dylan on Elvis Presley

Presley's first, historical recordings took place at Sun Records, a small independent label run by Sam Phillips in Memphis, Tennessee. The historical significance of these first Presley recordings and their impact on future musical artists is well exemplified by the actions of legendary musical artist Bob Dylan, who is said to have gone to Sun Records and kissed the "x" where Elvis had stood to record his first recordings. Further stated by Dylan: "I thank God for Elvis Presley".

Billy Preston

Alongside Tony Sheridan, Billy Preston was the only other musician to be credited on a Beatles recording: the artists on the number-one hit "Get Back" are given as "The Beatles with Billy Preston

East-West, The Paul Butterfield Blues Band

Going on to call the Butterfield Blues Band "one of the greatest bands of the rock era", Marsh concludes that "With 'East-West', above any other extended piece of the mid-Sixties, a rock band finally achieved a version of the musical freedom that free jazz had found a few years earlier."