Saturday, September 29, 2012

Do you Fear Death?--Jim Morrison

People fear death even more than pain. It's strange that they fear death. Life hurts a lot more than death. At the point of death, the pain is over. Yeah, I guess it is a friend.
Jim Morrison

Expose Yourself to Your Deepest Fear--Jim Morrison

Expose yourself to your deepest fear; after that, fear has no power, and the fear of freedom shrinks and vanishes. You are free. --
Jim Morrison

Friday, September 28, 2012

Avoiding A Life of Sorrow and Despair:

Kris Kristofferson has stated that he was greatly influenced by the poet William Blake while at Oxford, who had proclaimed that if one has a God-given creative talent then one should use it, or else reap sorrow and despair.

Mose Allison and Gatemouth Brown

I'm a big fan of Mose Allison. He and Gatemouth Brown were two of my biggest influences. --J.J. Cale

Thursday, September 27, 2012

J.J. Cale

Singer/songwriter J.J. Cale's songs have been covered by artists ranging from Johnny Cash to Captain Beefheart. But his trademark sinuous, bluesy guitar lines and mumbly, near-whispered vocals have been popularized by Dire Straits and Eric Clapton; the latter's versions of "After Midnight" and "Cocaine" have become radio hits.

What to do if you are depressed? -- Jimmy Page of Led Zeppelin

On the power of music, told to The Scotsman in 2010: “If I ever really felt depressed, I would just start putting on all my old records that I played as a kid, because the whole thing that really lifted me then still lifted me during those other times. It was good medicine for me, and it still does that for me when I put something on. Isn’t it wonderful that we’ve got all that good medicine? I think it’s got to be all part of our DNA, this mass communication through music. That’s what it is. It’s got to be, hasn’t it? Music is the one thing that has been consistently there for me. It hasn’t let me down.”

Wednesday, September 19, 2012

Live as me.

I'd love to live in Ireland but I'd like to live as me, not what someone thinks I am. People don't understand - I lived there before I was famous.
Van Morrison

Tuesday, September 18, 2012

Blonde on Blonde

On its release, Blonde on Blonde was not short of critics who argued the album was a major work. To accompany the songbook of Blonde on Blonde, Paul Nelson wrote an introduction stating, "The very title suggests the singularity and the duality we expect from Dylan. For Dylan’s music of illusion and delusion—with the tramp as explorer and the clown as happy victim, where the greatest crimes are lifelessness and the inability to see oneself as a circus performer in the show of life—has always carried within it its own inherent tensions...Dylan in the end truly UNDERSTANDS situations, and once one truly understands anything, there can no longer be anger, no longer be moralizing, but only humor and compassion, only pity."


For Mike Marqusee, Dylan had succeeded in combining traditional blues material with modernist literary techniques: "[Dylan] took inherited idioms and boosted them into a modernist stratosphere. 'Pledging My Time' and 'Obviously 5 Believers' adhered to blues patterns that were venerable when Dylan first encountered them in the mid-fifties (both begin with the ritual Delta invocation of "early in the mornin"). Yet like 'Visions of Johanna' or 'Memphis Blues Again', these songs are beyond category. They are allusive, repetitive, jaggedly abstract compositions that defy reduction."

Monday, September 17, 2012

Corroncho project

Between 2003 and 2008 Phil Manzanera collaborated with Colombian artist/sculptor Lucho Brieva on the Corroncho project. The project sprang from a Spanish version of the track Complicada, written by Brieva's wife Chrissie Hynde. The resulting album comprises a set of songs about two corroncho characters (corroncho being the pejorative name given by people from Bogota to fellow Colombians from the Caribbean Coast, particularly Barranquilla. The album includes the musical styles of salsa, cumbia, pop music, ballads and chillout and has guest appearances from Robert Wyatt, Paul Thompson, Enrique Bunbury, Chrissie Hynde, Annie Lennox, Quimi Portet, Gilad Atzmon, and one of Cuba’s top pianists Aldo Lopez Gavilan.

Monday, September 10, 2012

Bowie on Religion

"I'm in awe of the universe, but I don't necessarily believe there's an intelligence or agent behind it. I do have a passion for the visual in religious rituals, though, even though they may be completely empty and bereft of substance. The incense is powerful and provocative, whether Buddhist or Catholic."[

Sunday, September 9, 2012

Marijuana and Peter Tosh-- Eric Clapton

"Je ne pouvais vraiment pas tenir le rythme de leur consommation de ganja, qui était énorme. Si j'avais essayé de fumer autant ou aussi souvent, je serais tombé dans les pommes ou j'aurais eu des hallucinations. On travaillait aux Dynamic Sound Studios à Kingston. Des gens y entraient et sortaient sans arrêt, tirant sur d'énormes joints en forme de trompette, au point qu'il y avait tant de fumée dans la salle que je ne voyais pas qui était là ou pas. On composait deux chansons avec Peter Tosh qui, affalé sur une chaise, avait l'air inconscient la plupart du temps. Puis, soudain, il se levait et interprétait brillamment son rythme reggae à la pédale wah-wah, le temps d'une piste, puis retombait dans sa transe à la seconde où on s'arrêtait.” --Eric Clapton

Saturday, September 8, 2012

We always did feel the same We just saw it from a different point of view ...

All the people we used to know
They're an illusion to me now
Some are mathematicians
Some are carpenter's wives
Don't know how it all got started
I don't what they're doing with their lives
But me I'm still on the road
Heading for another joint
We always did feel the same
We just saw it from a different point of view
Tangled up in Blue.

True love they have been without it..

How all my fathers, they’ve gone down
True love they’ve been without it
But all their daughters put me down
’Cause I don’t think about it--Dylan

Make Your Own Dream

“Make your own dream.

That's the Beatles' story, isn't it? That's Yoko's story, that's what I'm saying now. Produce your own dream. If you want to save Peru, go save Peru. It's quite possible to do anything, but not to put it on the leaders and the parking meters. Don't expect Jimmy Carter or Ronald Reagan or John Lennon or Yoko Ono or Bob Dylan or Jesus Christ to come and do it for you. You have to do it yourself.

That's what the great masters and mistresses have been saying ever since time began. They can point the way, leave signposts and little instructions in various books that are now called holy and worshipped for the cover of the book and not for what it says, but the instructions are all there for all to see, have always been and always will be.

There's nothing new under the sun. All the roads lead to Rome. And people cannot provide it for you. I can't wake you up. You can wake you up. I can't cure you. You can cure you.”
― John Lennon